Tin Soup Can
This game‑ready tin soup can is a versatile prop designed for survival games, post‑apocalyptic environments, and modern‑day scenes. The ass…
LIGHTS for Imaginary Labs’ Carbon
Project Gallery
Rear angle showing venting, back‑panel geometry, and structural details.
Front and side view wireframes
Angled view capturing the DaVinci’s venting, lens depth, and overall form.
Front view focusing on the DaVinci’s optical assembly and faceplate geometry.
Front and rear three-quarter view wireframes.
Front view highlighting the multi‑lens wash array.
A dynamic angled render showing the Rogue R3X Wash’s rear venting.
Wireframe view revealing the underlying mesh and topology flow.
Project Overview
This project showcases my 3D modeling work for Imaginary Labs, creators of Carbon, a professional lighting and live‑event simulation platform built on Unreal Engine. My role involved producing several hundred high‑accuracy lighting fixture models, each crafted to match real‑world manufacturer specifications and engineered for reliable use inside a real‑time simulation environment.
These assets were built with clean, production‑ready topology, precise dimensional accuracy, and PBR‑consistent materials, ensuring they behave predictably under Carbon’s physically‑based lighting system. The models include industry‑standard fixtures such as the High End Technospot, Elation Artiste DaVinci, and Chauvet Rogue R3X Wash, along with many others used in concert touring, theatrical lighting, and large‑scale event production.
This work demonstrates my ability to contribute to large‑scale asset pipelines, collaborate with engineering teams, and deliver models optimized for real‑time simulation, previs, and virtual production workflows.
These assets were built with clean, production‑ready topology, precise dimensional accuracy, and PBR‑consistent materials, ensuring they behave predictably under Carbon’s physically‑based lighting system. The models include industry‑standard fixtures such as the High End Technospot, Elation Artiste DaVinci, and Chauvet Rogue R3X Wash, along with many others used in concert touring, theatrical lighting, and large‑scale event production.
This work demonstrates my ability to contribute to large‑scale asset pipelines, collaborate with engineering teams, and deliver models optimized for real‑time simulation, previs, and virtual production workflows.